(photo from the International Business Times coverage of the 2012 eclipse in Asia)
Maybe you think now’s the time to plan your trip to view the total solar eclipse on August 21. I just scheduled my annual priestly retreat for that week, at a house of prayer in the path of “totality.”
But let’s prepare ourselves. Forewarned is forearmed. This happened in the US in February 1979, and Annie Dillard traveled to the Yakima Valley in Washington state, which fell in the path of totality that time. Here are some passages from her essay “Total Eclipse,” which is the first chapter of Teaching a Stone to Talk:
I had seen a partial eclipse in 1970. A partial eclipse is very interesting. It bears almost no relation to a total eclipse. Seeing a partial eclipse bears the same relation to seeing a total eclipse as kissing a man does to marrying him, or as flying in an airplane does to falling out of an airplane…
Now [8:15am, February 26, 1979] the sky to the west deepened to indigo, a color never seen. A dark sky usually loses color. This was a saturated, deep indigo, up in the air. Stuck up into that unworldly sky was the cone of Mount Adams [in Washington state], and the alpenglow was upon it. The alpenglow is that red light of sunset which holds out on snowy mountain tops long after the valleys and tablelands are dimmed. “Look at Mount Adams,” I said, and that was the last sane moment I remember.
I turned back to the sun. It was going. The sun was going, and the world was wrong. The grasses were wrong; they were platinum. Their every detail of stem, head, and blade shone lightless and artificially distinct as an art photographer’s platinum print. This color has never been seen on earth. The hues were metallic; their finish was matte. The hillside was a nineteenth-century tinted photograph from which the tints had faded. All the people you see in the photograph, distinct and detailed as their faces look, are now dead. The sky was navy blue. My hands were silver. All the distant hills’ grasses were finespun metal which the wind laid down. I was watching a faded color print of a movie filmed in the Middle Ages; I was standing in it, by some mistake. I was standing in a movie of hillside grasses filmed in the Middle Ages. I missed my own century, the people I knew, and the real light of day.
Annie Dillard
I looked at Gary [her husband]. He was in the film. Everything was lost. He was a platinum print, a dead artist’s version of life. I saw on his skull the darkness of night mixed with the colors of day. My mind was going out; my eyes were receding the way galaxies recede to the rim of space. Gary was light-years away, gesturing inside a circle of darkness, down the wrong end of a telescope. He smiled as if he saw me; the stringy crinkles around his eyes moved. The sight of him, familiar and wrong, was something I was remembering from centuries hence, from the other side of death: yes, that is the way he used to look, when we were living. When it was our generation’s turn to be alive. I could not hear him; the wind was too loud. Behind him the sun was going. We had all started down a chute of time. At first it was pleasant; now there was no stopping it. Gary was chuting away across space, moving and talking and catching my eye, chuting down the long corridor of separation. The skin on his face moved like thin bronze plating that would peel.
The grass at our feet was wild barley. It was the wild einkorn wheat which grew on the hilly flanks of the Zagros Mountains, above the Euphrates valley, above the valley of the river we called River. We harvested the grass with stone sickles, I remember. We found the grasses on the hillsides; we built our shelter beside them and cut them down. That is how he used to look then, that one, moving and living and catching my eye, with the sky so dark behind him, and the wind blowing. God save our life.
From all the hills came screams. A piece of sky beside the crescent sun was detaching. It was a loosened circle of evening sky, suddenly lighted from the back. It was an abrupt black body out of nowhere; it was a flat disk; it was almost over the sun. That is when there were screams. At once this disk of sky slid over the sun like a lid. The sky snapped over the sun like a lens cover. The hatch in the brain slammed. Abruptly it was dark night, on the land and in the sky. In the night sky was a tiny ring of light. The hole where the sun belongs is very small. A thin ring of light marked its place. There was no sound. The eyes dried, the arteries drained, the lungs hushed. There was no world. We were the world’s dead people rotating and orbiting around and around, embedded in the planet’s crust, while the earth rolled down. Our minds were light-years distant, forgetful of almost everything. Only an extraordinary act of will could recall to us our former, living selves and our contexts in matter and time. We had, it seems, loved the planet and loved our lives, but could no longer remember the way of them. We got the light wrong. In the sky was something that should not be there. In the black sky was a ring of light. It was a thin ring, an old, thin silver wedding band, an old, worn ring. It was an old wedding band in the sky, or a morsel of bone. There were stars. It was all over…
You have seen photographs of the sun taken during a total eclipse. The corona fills the print. All of those photographs were taken through telescopes. The lenses of telescopes and cameras can no more cover the breadth and scale of the visual array than language can cover the breadth and simultaneity of internal experience. Lenses enlarge the sight, omit its context, and make of it a pretty and sensible picture, like something on a Christmas card. I assure you, if you send any shepherds a Christmas card on which is printed a three-by-three photograph of the angel of the Lord, the glory of the Lord, and a multitude of the heavenly host, they will not be sore afraid. More fearsome things can come in envelopes. More moving photographs than those of the sun’s corona can appear in magazines. But I pray you will never see anything more awful in the sky.
You see the wide world swaddled in darkness; you see a vast breadth of hilly land, and an enormous, distant, blackened valley; you see towns’ lights, a river’s path, and blurred portions of your hat and scarf; you see your husband’s face looking like an early black-and-white film; and you see a sprawl of black sky and blue sky together, with unfamiliar stars in it, some barely visible bands of cloud, and over there, a small white ring. The ring is as small as one goose in a flock of migrating geese – if you happen to notice a flock of migrating geese. It is one 360th part of the visible sky. The sun we see is less than half the diameter of a dime held at arm’s length…
It had nothing to do with anything. The sun was too small, and too cold, and too far away, to keep the world alive. The white ring was not enough. It was feeble and worthless. It was as useless as a memory; it was as off-kilter and hollow and wretched as a memory.
When you try your hardest to recall someone’s face, or the look of a place, you see in your mind’s eye some vague and terrible sight such as this. It is dark; it is insubstantial; it is all wrong.
The white ring and the saturated darkness made the earth and the sky look as they must look in the memories of the careless dead. What I saw, what I seemed to be standing in, was all the wrecked light that the memories of the dead could shed upon the living world. We had all died in our boots on the hilltops of Yakima, and were alone in eternity. Empty space stoppered our eyes and mouths; we cared for nothing. We remembered our living days wrong. With great effort we had remembered some sort of circular light in the sky – but only the outline. Oh, and then the orchard trees withered, the ground froze, the glaciers slid down the valleys and overlapped the towns. If there had ever been people on earth, nobody knew it. The dead had forgotten those they had loved. The dead were parted one from the other and could no longer remember the faces and lands they had loved in the light. They seemed to stand on darkened hilltops, looking down…
The second before the sun went out we saw a wall of dark shadow come speeding at us. We no sooner saw it than it was upon us, like thunder. It roared up the valley. It slammed our hill and knocked us out. It was the monstrous swift shadow cone of the moon. I have since read that this wave of shadow moves 1,800 miles an hour. Language can give no sense of this sort of speed – 1,800 miles an hour. It was 195 miles wide. No end was in sight – you saw only the edge. It rolled at you across the land at 1,800 miles an hour, hauling darkness like plague behind it….This was the universe about which we have read so much and never before felt: the universe as a clockwork of loose spheres flung at stupefying, unauthorized speeds…It coursed down our hill and raced eastward over the plain, faster than the eye could believe; it swept over the plain and dropped over the planet’s rim in a twinkling. It had clobbered us, and now it roared away. We blinked in the light It was as though an enormous, loping god in the sky had reached down and slapped the earth’s face.
Forewarned is forearmed. August 21. Don’t forget your eclipse glasses.
In these parts, the Feast of the Exaltation of the Holy Cross arrived today with a chilly, chilly morning.
Fittingly so: For the contemplative sons and daughters of the Church, the year has two poles, like the globe. Easter means the beginning of the bright days when we touch the mysteries of heaven. September 14 means the beginning of pre-Lent, when we shoulder our crosses and march with Christian confidence towards the dark door of death, through which our Captain passed on Good Friday…
A sandhill crane
…President-elect Abraham Lincoln arrived in Washington on February 23, 1861. (In those days, we inaugurated our presidents on March 4.) Congressman Sherrard Clemens, of Virginia, laid eyes on Lincoln and wrote to a friend, “Abe looks like a cross between a sandhill crane and an Andalusian jackass.”
Andalusian donkey
For the better part of my life, whenever I have caught a glimpse of myself before my morning shave, I have wondered, What epithet would most lyrically describe this specimen of humanity that I see before me? That mystery has now been solved.
…I am sorry that I have not had the leisure to write about some recent adventures I have had on the Appalachian Trail. One of them involved a bona fide, long-house-dwelling, tomahawk-toting Mohawk–a latter-day St. John the Baptist who lives solely on the meanest of trail rations, water filtered through a sock, and preternatural zeal for the Gospel of Christ. Perhaps time will permit me to discourse more about him at some later opportunity.
For now, I would simply like to communicate an Annie-Dillard-esque experience I had while descending Fullhart Knob this afternoon.
First, consider all the creatures that lie within striking distance of a hiker at any given moment. Then retain for consideration only those that might like to take a bite of human flesh.
It occurred to me that, if all those creatures acted together in a concerted attack, I would never make it to the bottom of the hill. The worms and insects immediately beneath me in the dirt would spring upon my legs; the squirrels would maul me about the arms and shoulders; the hawks and vultures, and all other assorted nearby fowl, would peck me about the head. If I were beset in this manner, I would be done for, even before the nearest black bear arrived to gore me.
But this did not happen. All these creatures could have had all they wanted to eat for at least a fortnight; they could have had two weeks off from their usual chickenscratch efforts at survival. But they did not take the opportunity, and I made it home fine.
Now, what did this potential army of the forest lack? Not the physical wherewithal for victory, to be sure. I would have been more or less defenseless against them. I could have flailed and batted and run, but, in the end, they would have had the better of me.
No, what they lacked was: the creative intellectual capacity to conceive of the attack (which I, alone among them, could imagine), the deliberative capacity to enact a decision, and the capacity to communicate the idea among themselves.
Intellect, will, communication skills.
I bring this up solely to illustrate the following. If someone asks, Why is there something, rather than nothing? (And who doesn’t ask that?) If someone asks this question, answers like The Great Turtle or The Big Bang simply will not do. The only real answer is: The Person. The impenetrably grand Person, of whom we human persons–with our intellects, and our wills, and our communication skills–offer only a pale reflection.
We Christians cannot, of course, prove that this Person has an equally impenetrably grand Father and Spirit, which He revealed by speaking through prophets and then becoming man Himself. But we can say: the only reasonable answer to Why is there something rather than nothing? is: God.
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Bibliography
1. The Coming Fury by Bruce Catton. One of the most wonderful books I have ever read.
2. A Walk in the Woods by Bill Bryson. Read the book instead of seeing the movie! The movie stinks. The book has occasional bad words, but they hardly distract you from one of the most delightful tales ever told about through-hikers who never quite made it.
‘He has cast down the mighty from their thrones, and has lifted up the lowly. He has filled the hungry with good things, and the rich he has sent away empty!’…Yes, but I have seen the rich sit secure on their thrones and send the hungry away empty.
–Annie Dillard (stating the obvious with great eloquence, as she often does)
The beautiful, hard world. The dark world, that nonetheless holds surprising little flashes of light. The unfair world, full of people who simply cannot give up believing in fairness.
In his encyclical on Christian hope, Pope Benedict XVI addressed the mystery of evil, the mysterium iniquitatis, head on.
Iniquitatis because we see the innocent, the powerless, the poor suffering. Mysterium because somehow we know it’s wrong; we don’t accept it; we pray and hope and struggle for something better. Evil may be a ‘given’ in this vale of tears, but that doesn’t mean that we regard it as normal. It’s a daggone mystery. Good makes sense to us; evil doesn’t.
Pope Benedict framed the business as follows. One of our most profound problems is: the contemporary mindset regards religion as something purely subjective, emotional, individual. Therefore, ‘salvation’ = my own personal bliss.
But many people of conscience reject religion, if this is what religion is. They cry, “What about the groaning injustice I see in the world, right in front of my eyes? What God is going to give me bliss if He can’t even see to it that the hungry get fed and the innocent don’t get killed?”
Pope Benedict: the Catholic faith recognizes that our longing for justice among men springs from the religious center of the human being. According to the Catholic faith, our hope for salvation does not confine itself to ‘my personal bliss.’ Rather, our hope includes–it must include–justice for the world, the whole world. Everybody in the world.
God does not stand by, an impotent spectator, while the mighty sit on thrones and crush the lowly. God Himself has been crushed by injustice. Then He rose again as the King of all history. On Easter Sunday morning, He showed His power to put things to rights.
The Lord refrains for now from confronting the world with His righteousness, solely so that we have time to repent. He patiently waits for us to stop committing the injustices that make the world an unjust place. He gives us time to love our neighbor. So that when He comes in a supernova of love, we will not be burned to smithereens, but rather caught up in His glory. We share in that glory now by our humble love.
Some reputable scientists, even today, are not wholly satisfied with the notion that the song of birds is strictly and solely a territorial claim…It could be that a bird sings: I am sparrow, sparrow, sparrow, as Gerard Manley Hopkins suggests: “myself it speaks and spells, Crying What I do is me: for that I came.”
…Today I watched and heard a wren, a sparrow, and the mockingbird singing. My brain started to trill why why why, what is the meaning meaning meaning? …Surely they don’t even know why they sing. No; we have been as usual askng the wrong question.
It does not matter a hoot what the mockingbird is singing. If the mockingbird were chirping to give us the long-sought formulae for a unified field theory, the point would be only slightly less irrelevant. The real and proper question is: Why is it beautiful? …If the lyric is simply “mine mine mine,” then why the extravagance of the score?
–Annie Dillard, Pilgrim at Tinker Creek
*
Your unworthy servant feebly seeks vanaprastha in a moutain wood. I miss you, and I am grateful for your prayers for me.
…An old friend has written a short story and a novella.
The author has no means of publishing these pieces himself, so I publish them here.
Who fails to drink little or much from the golden chalice of the Babylonian woman of the Apocalypse? (Revelation 17:4) …She reaches out to all states, even to the supreme and illustrious state of the sanctuary and divine priesthood, by setting her abominable cup in the holy place… She hardly leaves a man who has not drunk a small or large quantity of wine from her chalice, which is vain joy in natural beauty.
–St. John of the Cross, The Ascent of Mount Carmel, Book III, chap. 22
Perhaps you recall: The transformation of the capering Prince Hal into the formidable King Henry V is the new “defining motif” of this humble weblog. (Scroll down if you click the link.)
This same tranformation, however, broke the spirit of Prince Hal’s fellow-caperer, Sir John Falstaff. After the King broke off their friendship, Fallstaff’s dissolute life finally caught up with him, and he died.
In Henry V, when Falstaff’s friend Bardolph hears that the jolly knight is dead, he declares:
Would I were with him, wheresome’er he is, either in
heaven or in hell! (Act II, Scene 3)
As the statement of a Christian, this sentence makes no sense. In hell, it is impossible to enjoy each other’s company. But as the lament of a friend, it is heartbreakingly beautiful.
…John Wilson was a member of the D.C. City Council when I was in high-school. When I was in college, he became the chairman.
Mary said:
The Lord has shown strength with His arm:
He has scattered the proud in their conceit.
He has put down the mighty from their thrones,
and exalted those of low degree.
He has filled the hungry with good things,
and the rich He has sent empty away. (Luke 1:51-53)
Annie Dillard: “Many times in Christian churches I have heard the pastor say to God, ‘All your actions show your wisdom and love.’ Each time, I reach in vain for the courage to rise and shout, ‘that’s a lie!’ – just to put things on a solid footing.
Annie Dillard“‘He has cast down the mighty from their thrones, and has lifted up the lowly. He has filled the hungry with good things, and the rich he has sent away empty!’ . . . (Yes, but) I have seen the rich sit secure on their thrones and send the hungry away empty.
“If God’s escape clause is that he gives only spiritual things, then we might hope that the poor and suffering are rich in spiritual gifts, as some certainly are, but as some of the comfortable are too. In a soup kitchen, I see suffering. Deus otiosus: do-nothing God, who, if he has power, abuses it” (For the Time Being, pp. 85-86).
Are our Lady’s words in the Magnificat true?
Let’s give Annie Dillard her due: She is a smart, earnest, good essayist. She is a better person than I am. Her question is an honest one.
Can the words of the gospel be true if the poor and innocent still groan under injustice and cruelty, if bad things happen to good people, if the evil prosper? The Magnificat is about the triumph of justice and goodness, about the almighty power of God, Who loves the weak. Mary sings: With the coming of Christ, the weak and downtrodden have triumphed. Is it true?
One of the Pope’s chief concerns in the letter is the “privatization” of Christian hope for salvation. Each of us hopes to get to heaven, certainly. But a Christian hopes for more than just his own individual bliss. A Christian hopes for the coming of the Kingdom of God.
Pope Benedict identifies the fundamental problem: The modern idea that religion is subjective. If religion is not about objective realities, but just about my own “relationship with God” or “experience” of God, then all I can hope for is my own personal peace.
Religion is not fundamentally subjective. Religion puts us in touch with the most objective reality of them all: the all-knowing, all-good, all-powerful God.
Christ has revealed this: Justice will be done. Truth will win. All that is hidden will be revealed.
We fear the Final Judgment, because we know we will have to rely on God’s mercy. At the same time, we hope for the Second Coming. The Magnificat WILL be completely fulfilled. In the meantime, our best bet is to try to do our little part to make the world better, and to bear the injustices of the world with patient perseverance.
Here is how the Pope puts it:
Yes, there is a resurrection of the flesh. There is justice. There is an “undoing” of past suffering, a reparation that sets things aright. For this reason, faith in the Last Judgement is first and foremost hope—the need for which was made abundantly clear in the upheavals of recent centuries. I am convinced that the question of justice constitutes the essential argument, or in any case the strongest argument, in favour of faith in eternal life. The purely individual need for a fulfilment that is denied to us in this life, for an everlasting love that we await, is certainly an important motive for believing that man was made for eternity; but only in connection with the impossibility that the injustice of history should be the final word does the necessity for Christ’s return and for new life become fully convincing. (Spe Salvi, 43)