Comforting Words on the Festa di Marco

per san marco sign venice

In the second half of the fourth century AD, a non-Christian emperor took the throne. We Christians call him Julian the Apostate.

The new emperor took delight in the internal strife of the Church, which seethed in factions right before his eyes. He thought Christianity would destroy itself. But St. John Henry Newman notes:

In indulging such anticipations of overthrowing Christianity, Julian but displayed his own ignorance of the foundation on which it was built. It could scarcely be conceived that an unbeliever, educated among heretics, would understand the vigor and indestructibility of the true Christian spirit; and Julian fell into the error, to which in all ages men of the world are exposed, of mistaking whatever shows itself on the surface of the Apostolic Community, its prominences and irregularities, all that is extravagant, and all that is transitory, for the real moving principle and life of the system.

The thousand of silent believers, who worshiped in spirit and in truth, were obscured by the tens and twenties of the various heretical factions, whose clamorous addresses besieged the Imperial Court.

(from The Arians of the Fourth Century, Chapter 5, Section 1)

Today we keep the feast of my beloved evangelist patron. St. Mark founded the See of Alexandria, Egypt.

Three centuries later, St. Athanasius sat as one of St. Mark’s successors in office. Through the Arian controversy, the Church in Alexandria held fast to the orthodox faith, even when Pope Liberius wavered. (The pope succumbed only under threat of physical torture, not willingly.)

…Anyhoo, if you’re like me, when you get stressed, you lose yourself in the speeches of William Shakespeare’s Richard II.

Like Act III, Scene 2…

No matter where; of comfort no man speak:
Let’s talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let’s choose executors and talk of wills:
And yet not so, for what can we bequeath
Save our deposed bodies to the ground?
Our lands, our lives and all are Bolingbroke’s,
And nothing can we call our own but death
And that small model of the barren earth
Which serves as paste and cover to our bones.
For God’s sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison’d by their wives: some sleeping kill’d;
All murder’d: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear’d and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour’d thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!
Cover your heads and mock not flesh and blood
With solemn reverence: throw away respect,
Tradition, form and ceremonious duty,
For you have but mistook me all this while:
I live with bread like you, feel want,
Taste grief, need friends: subjected thus,
How can you say to me, I am a king?

Here’s the great Derek Jacobi doing the speech:

Some Catching Up to Do



If you are like me, you might find yourself in such a state that you need to check yourself into a mountain hermitage and take up manual labor.

Thankfully, in such cases, the good Lord has a lot more than $6 million at His disposal.

…I wanted to let you know that the covered bridge over the Buckhannon River at Philippi, West Virginia, is one of the coolest things on earth.

Also, in honor of Hosni Mubarak, here are a couple of deposed-king speeches written by William Shakespeare:

What must the King do now? Must he submit?
The King shall do it. Must he be deposed?
The King shall be contented. Must he lose
The name of king? I’ God’s name, let it go.
I’ll give my jewels for a set of beads,
My gorgeous palace for a hermitage,
My gay apparel for an almsman’s gown,
My figured goblets for a dish of wood,
My scepter for a palmer’s walking-staff,
My subjects for a pair of carvèd saints,
And my large kingdom for a little grave,
A little, little grave, an obscure grave;
Or I’ll be buried in the King’s highway,
Some way of common trade, where subjects’ feet
May hourly trample on their sovereign’s head;
For on my heart they tread now whilst I live,
And, buried once, why not upon my head? (Richard II)

For what is in this world but grief and woe?
O God! methinks it were a happy life,
To be no better than a homely swain;
To sit upon a hill, as I do now,
To carve out dials quaintly, point by point,
Thereby to see the minutes how they run,
How many make the hour full complete;
How many hours bring about the day;
How many days will finish up the year;
How many years a mortal man may live.
When this is known, then to divide the times:
So many hours must I tend my flock;
So many hours must I take my rest;
So many hours must I contemplate;
So many hours must I sport myself;
So many days my ewes have been with young;
So many weeks ere the poor fools will ean: (=give birth)
So many years ere I shall shear the fleece:
So minutes, hours, days, months, and years,
Pass’d over to the end they were created,
Would bring white hairs unto a quiet grave.
Ah, what a life were this! how sweet! how lovely!
Gives not the hawthorn-bush a sweeter shade
To shepherds looking on their silly sheep,
Than doth a rich embroider’d canopy
To kings that fear their subjects’ treachery?
O, yes, it doth; a thousand-fold it doth.
And to conclude, the shepherd’s homely curds,
His cold thin drink out of his leather bottle.
His wonted sleep under a fresh tree’s shade,
All which secure and sweetly he enjoys,
Is far beyond a prince’s delicates,
His viands sparkling in a golden cup,
His body couched in a curious bed,
When care, mistrust, and treason waits on him. (Henry VI)

…Did anyone catch John Travolta outside the Waldorf Astoria when we were talking about the Roosevelt Tunnel last fall? Well, it seems he has decided to get back on the train.

Presidents’ Day Miscellany

The NBA All-Star Slam Dunk contest is always better than the game itself.

The game, however, was okay. Kobe could not miss in the third quarter. (I only watched the third quarter.) It is absurd that 265 points were scored in one game. The 192 points scored in the Syracuse-Georgetown game on Saturday set a dangerous precedent.

Shaq went out with a bang. This was Shaquille O’Neal’s last of fifteen N.B.A. All-Star games. (He was voted onto the team fifteen times, even though he didn’t play all fifteen games, due to injuries.) Only Kareem Abdul Jabbar has been voted onto more all-star teams–seventeen.

Today at Holy Mass we heard the account of Cain and Abel from Genesis.

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Uneasy Lies the Head

rick-warren2The President did not invite any Catholic clergy to pray at his inauguration.

It is his prerogative to invite whomever he chooses. Nonetheless, I can promise you this much: It would have been shorter.

Compare the customary lengthy Protestant table prayers with “Bless us, O Lord, and these they gifts…”

Continue reading “Uneasy Lies the Head”

Juice? Georgetown Downs Orange (88-74)

"I told you the Hoyas are tough!"
"I told you the Hoyas are tough!"

Summers brought it. Freeman brought it.

Monroe can pass the ball better than any 18 1/2-year-old big man who has ever lived.

Georgetown dominated the #8 Orange.

My mom doesn’t have cable, so we had to listen to Chvotkin the Great on AM 570, which, as I have said, is even better than being at the game.

Very nice Big East win for the Hoyas! By the way, does anyone know the whole story of how the Syracuse Orangemen became the Syracuse “Orange”?

DaJuan Summers had 21 points, his season high
DaJuan Summers had 21 points, his season high

On other interesting matters…

Continue reading “Juice? Georgetown Downs Orange (88-74)”

King Lear is King

For fifteen years I have unswervingly held that Richard II is Shakespeare’s best play. My reasoning was this:

1. There is not one wasted word in Richard II. Every line of every speech contributes to building up the tragedy.

2. No one has ever defended the idea that kings rule by divine right so beautifully as King Richard does.

3. Even though he comes out of the gate at the beginning of the play as an insufferable, self-deluded madman, Richard winds up winning your sympathy anyway. At first he seems to be fatally flawed by delusions of grandeur, but in fact his grand illusions turn out to be truly noble.

These are really solid reasons for thinking that Richard II is best, and there are more reasons which I could offer. But I have to admit that I was wrong. I was totally wrong. Richard II is not the best.

This change of heart has been building for a couple of years. King Lear has always intrigued me. Harold Bloom, a formidable commentator, does not hesitate to choose King Lear as the best. Two summers ago I finally started to get a real grip on the play, when I watched the 1974 Central Park performance, with Raul Julia as Edmund and James Earl Jones as King Lear.

As I drove down to the seashore for my day off yesterday, I listened to the Arkangel King Lear for the fourth time. It utterly crushed me. I will never be the same.

I have always thought that the opening scene of King Lear has even more drama than Alfred Hitchcock’s entire oeuvre. And I would have freely acknowledged years ago that King Lear also does what Richard II does: makes you fall in love with a king who seems insane—who is insane—but who turns out to be the one who really understands things.

The storm scene on the heath, however, has finally conquered me altogether. Don’t get me wrong: it left me breathless before. King Lear raging against the forces of chaos and dissolution, with his Fool under his cloak, is more powerful than all of twentieth-century poetry and philosophy rolled-up together. But yesterday afternoon I felt for the first time the second-part of that scene’s one-two punch: just when you are in the grips of this existential reverie on human solitude, Shakespeare sneaks up and daggers your heart with Edgar, disguised as Poor Tom, seeing his beloved father, who has unjustly condemned him.

I am not given to weeping. I have been accused on being machine-like, emotionally austere. I did not, in fact, weep in the car yesterday afternoon. But I was darn close.

Please allow me to reiterate that it has taken me years of effort to attain the appreciation of King Lear that I now have. (I am rather slow…) King Lear is not exactly easy to deal with. But it is worth it! It is worth it! King Lear is best.